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Sharing HIV/AIDS awareness through creative ways in Vietnam |
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Vietnam—One
thousand enthusiastic young faces were watching us. Their anxious
smiles and expectant eyes clearly conveyed their excitement. Some were
squatting under the cool shade while the others were squatting under
the hot afternoon sun. But nevertheless all of them were equally eager
to wait for the show to begin.
Our young
audience was from a junior high school in Tien Giang province in the
South of Vietnam. Suddenly their excited chatter turned into a unison
roar of laughter as the heads of the 8 colorful hand held puppets
popped above the stage screen. A thunderous applause greeted these
strange creatures jerking in time with the music from the tape recorder.
We
were on a road show, to promote awareness about the AIDS pandemic among
school children and colleges in 3 provinces in the south of Vietnam.
Our troupe were members of the AIDS Programme of Vietnam, an
organisation working with street children, drug users and sex workers.
The
AIDS Programme is a sub-unit of the Communication Branch of Ho Chi Minh
City Psycho–Educational Association formed in November 1996. The
organisation consists of volunteer social workers with 4-5 years of
being involved in AIDS prevention and community development work. The
programme has 25 volunteers and 5 full time staff members who are
trained peer educators and community organisers.
Steering away
from the conventional methods of teaching AIDS awareness this team had
designed a very creative process filled with colorful costumes,
interesting puppets and other innovative props, cleverly used in a very
participatory processes 1 ½ hour process where the audience was also
totally involved.
The Vietnamese people are very culturally
inclines and are generally very fond of singing and theatre. In the
rural areas especially, this medium is proven to be effective in
reaching an illiterate audience.
We were invited to perform in 3
provinces making stopovers in 6 schools and 3 headquarters of the local
government there. In the course of 6 days we had performed about 6
shows and had 3 sessions with the local communities and government
bodies.
“The children especially are very excited because of the
colorful costumes used in the show, but what is more important is the
message about HIV/AIDS is quite effectively communicated to them,” said
Mr Pham Thanh Van, the leader of the troupe and also the coordinator of
the AIDS Programme.
Van also plays the role of the legendary
honorable Chinese Judge in a short skit, a highlight in the HIV/AIDS
show. He presides over the case of 2 young people mislead and
uninformed about safe sex practices and thus was strongly admonished in
the court of this court.
A puppet is creatively used to depict
the role of the virus who pointed the finger at the 2 young accused for
not using the condom and other precautionary measure to prevent being
infected by the AIDS virus.
In the end, the Judge dismisses the
case with a stern warning to the young couple and then intentionally
turns to the audience and poses the same questions to the young people
there. He ends with a powerful and dramatic delivery to warn the young
audience about the dangers of HIV/AIDS.
“We have seen the way
AIDS education is conducted by many people and groups and most of the
time they use the conventional classroom methods which does not really
create an impact upon the listeners,” said Mr Nguyen Tran Huy, a member
of the AIDS programme who works with street children in Ho Chi Minh
City.
Interspersed in the 2 hour fun and laughter performance
are also serious sessions where the attitude and knowledge level of the
audience is tested. This is done in the form of a quiz show with token
prizes given to those who have the right answers to questions about the
incidence of HIV cases in Vietnam, and the kind of preventive measures
used to prevent the spread of the infection.
Lively action songs
are also part of the process together with catchy slogans. These
techniques are part of the creative methodology to inculcate important
messages that will make strong impression on the young minds as well as
the adults too.
After each performance, we could already hear
the children singing these songs about HIV and playfully chanting the
slogans depicting calls to stop “SIDA” (Vietnamese term for AIDS).
“This
entire process of the show was very interesting and we could easily
understand the message. We enjoyed it even though we had to squat under
the sun for 2 hours, and I think all of us are a little more aware
about AIDS today,“ commented a quiet 16-year old girl who was
interviewed after a performance in the high school in Tieng Giang.
Huy
explained that each year they take their AIDS education work on tour to
the north and the south, at least 2 times a year. But since their base
in Ho Chi Minh City, they tend to do more education work within the
city of 7 million people.
Despite the Vietnamese government’s
open door policy to welcome economic aid and investments, today the
disparity between the rich and poor is still very obvious, the latter
group being the majority. There are so many poor people who have a very
low educational level and lack the opportunity to receive development
projects especially the women. Many come from the countrysides to look
for jobs and more income.
From the perspective of HIV/AIDS, this
sector is identified as the “high risk behaviour groups” because they
lack of knowledge and interests to learn about these things. The
government tries to reach out to them but cannot help and support the
majority of this “high risk” sector.
The road show
strategy is actually a device for the AIDS Programme to have sessions
with local AIDS committee officials, women union and youth union
leaders, all of whom are known to be the more influential positions
within the Vietnamese Communist Party structure.
Van and his
team would dialogue with the officials after the show to convince them
of the more creative methodology in promoting AIDS awareness. Their
objective is to advocate for the more creative pedagogy and effective
strategy to raise consciousness among the impoverished urban and rural
population about the deadly disease.
Evidently, the road shows
were quite a hit because after each performance, the AIDS Programme
team was invited to return and help train and develop the local
teachers and social workers to become more effective in conveying AIDS
awareness to the local poor communities and schools.
“At
least if the people do not want to listen to another human being about
AIDS, perhaps he would listen to a Puppet!” Huy said with a smile.
“The
poor people are always in the cycle of poverty and that is why it is
very important to help them especially the illiterate ones to gain more
knowledge and learn more skills.” explained Van, a veteran of 10 years
experience in AIDS peer education work.
“Over the years we
began to realise that working on AIDS issues is not only dealing with a
disease but with human beings and their lives in general. So we also
have to help them learn how to solve their daily problems and build a
community among their people,” he added.
Writer: Jo Hann Tan, a Malaysian writer & community organiser trainer
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